A bed of roses is an idea of happiness, beauty and fulfilment; A bed of roses can become your everyday reality of love and bliss. Let it be! The verses are “I am my beloved and my beloved is mine, he who walks among the roses”, Song of Songs 6:3, and “I am the rose of Sharon, lily of the valleys. Like a rose among the thorns, so is my bride among the maidens. Like an apple tree among the trees of the forest, so is my beloved among the youths”, Song of Songs 2:1-3.
If your wedding has to be postponed or rearranged due to the corona virus, do not worry. At Ketubah.com we can reprint your ketubah free of charge with revised dates.
Our paper ketubahs (papercut ketubahs included) are printed on cold press, acid free art paper, the standard in artistic reproductions. This paper is slightly textured and can be ordered with or without name printing.
Canvas ketubahs have a glossy look with texture and shine. The canvas can be framed behind glass or can be stretched by a framer. Our canvas ketubahs require name printing.
We offer the canvas stretching feature in house as well. When ordered this way, the ketubah is stretched by hand on a specially built frame in a style known as gallery wrap and comes ready to hang complete with a wire at the back.
Small - 18" x 18"
About Shop, Papercuts
Papercutting has been a traditional Jewish art form for Ketubah decoration since the Middle Ages. Thanks to advances in artisanal laser cutting in the late 20th century, these exquisite pieces of fine art are now within everyone's budget. Papercut Ketubahs are lovingly produced, one at a time, to archival standards.
About the Artist
Enya Keshet was born in Pardes Hanna, Israel. As a young woman she moved to Jerusalem, where she studied at the Hebrew University and at Bezalel Academy of Art. Her friendship with a traditional scribe (sofer) led her to the idea of combining the art of paper cutting with the calligraphy of Megillot (scrolls). Her artwork has evolved extensively from this beginning. In 1994 she moved back to her hometown of Pardes Hanna, where her studio is today. A significant part of Enya's work is in the style of the Lisbon manuscript workshop, which flourished at the end of the fifteenth century, a workshop which produced the famous Lisbon Bible and many other illuminated manuscripts currently in the collections of major museums in London, Paris, and New York.