Big Love Personalized Metallic Papercut – English Ketubah
Art By Enya Keshet
Pick your design first, then choose the words that go inside it — most couples do both before checkout.
Personalized or Unpersonalized text?
Personalized: our artist fills in your names, date and place within the text. Unpersonalized: the text has blank spaces someone fills in later. Signature lines are blank either way.
Don't know your Hebrew names?
No problem — look them up for free at HebrewNamer.com, or tell us in the text tool and we'll transliterate it for you.
Standard or Custom text?
Standard: choose from our library of pre-written texts by category below. Custom: use your own wording or one purchased elsewhere (translation available).
Description
Each individual print in this exclusive collection is laser cut especially for you to include your names and wedding date, or even a favorite phrase, if you wish. This is our pledge, LOVE. Forever. There is space for us in it, and the world around our love is filled with life in all its beautiful, intricate forms!
Print Stocks
Paper
+$0
Our paper ketubahs (papercut ketubahs included) are printed on cold press, acid free art paper, the standard in artistic reproductions. This paper is slightly textured and can be ordered with or without name printing.
Info
Color
Indigo, Marble
Print Stock
Paper
Size
16.75" x 20"
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Similar Types of Ketubahs
Personalized Papercuts
Give your Ketubah a personal touch by inscribing your names into the artwork! Our Personalized Papercut Collection all feature beautifully designed papercut artwork with a space to include your names in the artwork itself, separate from what appears in the text.
Papercuts
Papercutting has been a traditional Jewish art form for Ketubah decoration since the Middle Ages. Thanks to advances in artisanal laser cutting in the late 20th century, these exquisite pieces of fine art are now within everyone’s budget. Papercut Ketubahs are lovingly produced, one at a time, to archival standards.
About the Artist
Enya Keshet
Enya Keshet was born in Pardes Hanna, Israel. As a young woman she moved to Jerusalem, where she studied at the Hebrew University and at Bezalel Academy of Art. Her friendship with a traditional scribe (sofer) led her to the idea of combining the art of paper cutting with the calligraphy of Megillot (scrolls). Her artwork has evolved extensively from this beginning. In 1994 she moved back to her hometown of Pardes Hanna, where her studio is today. A significant part of Enya’s work is in the style of the Lisbon manuscript workshop, which flourished at the end of the fifteenth century, a workshop which produced the famous Lisbon Bible and many other illuminated manuscripts currently in the collections of major museums in London, Paris, and New York.
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