Gate to Happiness Papercut
Art By Enya Keshet
Description
Papercut ketubah affixed to an artistic background. A beautiful, classic wrought iron gate holds the ketubah text and symbolizes your entry into the garden of marriage and into the house you will share your life in. The rustic mansion is surrounded with fruit trees in bloom. Stars of David crown the gate wings, and knotted Menorahs decorate its flanks, with the eternal words “I am my beloved’s and my beloved is mine”. Top arch verse: “Nard and saffron, fragrant reed and cinnamon, with all aromatic woods, myrrh and aloe – all the choice perfumes”, Song of Songs 4:14 This ketubah can be customized with your names and wedding date in the lower panels of the paper-cut, under the text.
Print Stocks
Paper
+$0
Our paper ketubahs (papercut ketubahs included) are printed on cold press, acid free art paper, the standard in artistic reproductions. This paper is slightly textured and can be ordered with or without name printing.
Info
Color
Multi
Print Stock
Paper
Size
27" x 19.5"
Similar Types of Ketubahs
Israeli Artists
In times of conflict, consider supporting an Israeli artist. This collection features beautiful Ketubah artwork from our Israeli Ketubah artists, exploring a variety of brilliant colors and unique art styles.
Papercuts
Papercutting has been a traditional Jewish art form for Ketubah decoration since the Middle Ages. Thanks to advances in artisanal laser cutting in the late 20th century, these exquisite pieces of fine art are now within everyone’s budget. Papercut Ketubahs are lovingly produced, one at a time, to archival standards.
About the Artist
Enya Keshet
Enya Keshet was born in Pardes Hanna, Israel. As a young woman she moved to Jerusalem, where she studied at the Hebrew University and at Bezalel Academy of Art. Her friendship with a traditional scribe (sofer) led her to the idea of combining the art of paper cutting with the calligraphy of Megillot (scrolls). Her artwork has evolved extensively from this beginning. In 1994 she moved back to her hometown of Pardes Hanna, where her studio is today. A significant part of Enya’s work is in the style of the Lisbon manuscript workshop, which flourished at the end of the fifteenth century, a workshop which produced the famous Lisbon Bible and many other illuminated manuscripts currently in the collections of major museums in London, Paris, and New York.
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