Art By Temma Gentles
This is a giclee print of an original artwork piece of a collection of distinctive gingko leaves that have been pigmented and preserved, and arranged around the central spiral of the ketubah text. Originally from China, Gingko Biloba is the earth’s oldest living tree species, with fossils dating back 270 million years. May your marriage be as unique and long-lasting as the gingko! (There are no leaves on this ketubah print).
Our paper ketubahs (papercut ketubahs included) are printed on cold press, acid free art paper, the standard in artistic reproductions. This paper is slightly textured and can be ordered with or without name printing.
Canvas ketubahs have a glossy look with texture and shine. The canvas can be framed behind glass or can be stretched by a framer. Our canvas ketubahs require name printing.
We offer the canvas stretching feature in house as well. When ordered this way, the ketubah is stretched by hand on a specially built frame in a style known as gallery wrap and comes ready to hang complete with a wire at the back.
Gold, Neutral, Silver
Paper, Canvas, Stretched Canvas
16" x 16", 20" x 20", 24" x 24"
Similar Types of Ketubahs
Today’s couples are looking to canvas for a Ketubah with a unique and striking fine art look. We are incredibly proud to offer our own exclusive line of Ketubah designs, produced in house and available on canvas. The canvas ketubahs have more texture and shine than ketubahs printed on paper and give off the look of an original oil painting!
Our giclée print ketubah collection offers the largest selection of limited-edition ketubahs available anywhere, so you can find a ketubah that will suit you, your wedding and your traditions. We work with couples and officiants from every Jewish denomination, and can incorporate the appropriate text to suit your wedding.
About the Artist
The essence of all that I do is bringing stories to life. For the past several years my major pursuit has been Torah Stitch By Stitch, a project of profound collaborative engagement and education involving over 1450 stitchers in 28 countries. With our exhibition in place, I welcome the opportunity to return to my art practice of commissioned textiles and to designing some new ketubot.
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