Italian Papercut Luxe
Art By Enya Keshet
Inspired by 17th Century Italian ketubahs, and by even earlier Jewiish Manuscript ornamentation, this design makes tradition up-to-date.
Our paper ketubahs (papercut ketubahs included) are printed on cold press, acid free art paper, the standard in artistic reproductions. This paper is slightly textured and can be ordered with or without name printing.
Blue Silk, Sand Weave, Wine
17.5" x 24"
This design features striking hand-applied 23 karat gold leaf accents and Swarovski crystals.
Similar Types of Ketubahs
Gold & Silver
For centuries, artists and artisans have turned to silver and gold leaf as a way to make their creations shimmer and shine. Evident in everything from ancient artifacts to modern masterpieces, the glistening accents can add an ethereal touch to any work of art. Today, many contemporary artists continue to use silver and gold leaf in their work. These metallics are celebrated for their ability to accentuate color and form through luminous details.
The Luxe Collection is an elegant line of premium Ketubahs, which include some of our most beautiful and unique designs. From papercut ketubahs embellished with 23 Carat Gold Leaf and authentic Swarovski Crystals, to our multi-layered papercut designs, these ketubahs are individually assembled by our artisan team. This collection makes for an elegant and beautiful addition to your wedding day, and to your life together.
Papercutting has been a traditional Jewish art form for Ketubah decoration since the Middle Ages. Thanks to advances in artisanal laser cutting in the late 20th century, these exquisite pieces of fine art are now within everyone’s budget. Papercut Ketubahs are lovingly produced, one at a time, to archival standards.
About the Artist
Enya Keshet was born in Pardes Hanna, Israel. As a young woman she moved to Jerusalem, where she studied at the Hebrew University and at Bezalel Academy of Art. Her friendship with a traditional scribe (sofer) led her to the idea of combining the art of paper cutting with the calligraphy of Megillot (scrolls). Her artwork has evolved extensively from this beginning. In 1994 she moved back to her hometown of Pardes Hanna, where her studio is today. A significant part of Enya’s work is in the style of the Lisbon manuscript workshop, which flourished at the end of the fifteenth century, a workshop which produced the famous Lisbon Bible and many other illuminated manuscripts currently in the collections of major museums in London, Paris, and New York.
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