Rimon Offbeat Personalized Papercut
Art By Enya Keshet
Each individual print in this exclusive collection is laser cut especially for you to include your names and wedding date, or even a favorite phrase, if you wish. Please submit your personalized information as you would like it to appear on the design when you place your order. Maximum letter count for names: 18 Papercut ketubah affixed to an artistic background. An asymmetrical papercut design combining stylized pomegranates (rimon) with intricate paisley elements, all tied together by lacy arches with the eternal loving words, “I am my beloved’s and my beloved is mine” (Song of Songs 6:3). The verse on the right hand praises the bride’s beauty, saying: “Your lips are like the crimson thread, your mouth is lovely; Your brow behind your hair glows like the heart of a pomegranate” This design can be customized to have your names and wedding date in cutting.
Our paper ketubahs (papercut ketubahs included) are printed on cold press, acid free art paper, the standard in artistic reproductions. This paper is slightly textured and can be ordered with or without name printing.
20.5" x 25.75"
Similar Types of Ketubahs
In times of conflict, consider supporting an Israeli artist. This collection features beautiful Ketubah artwork from our Israeli Ketubah artists, exploring a variety of brilliant colors and unique art styles.
Papercutting has been a traditional Jewish art form for Ketubah decoration since the Middle Ages. Thanks to advances in artisanal laser cutting in the late 20th century, these exquisite pieces of fine art are now within everyone’s budget. Papercut Ketubahs are lovingly produced, one at a time, to archival standards.
About the Artist
Enya Keshet was born in Pardes Hanna, Israel. As a young woman she moved to Jerusalem, where she studied at the Hebrew University and at Bezalel Academy of Art. Her friendship with a traditional scribe (sofer) led her to the idea of combining the art of paper cutting with the calligraphy of Megillot (scrolls). Her artwork has evolved extensively from this beginning. In 1994 she moved back to her hometown of Pardes Hanna, where her studio is today. A significant part of Enya’s work is in the style of the Lisbon manuscript workshop, which flourished at the end of the fifteenth century, a workshop which produced the famous Lisbon Bible and many other illuminated manuscripts currently in the collections of major museums in London, Paris, and New York.
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