Dalia Delight Papercut – Gold Leaf
Art By Enya Keshet
The ring of verses of love and trust is enhanced by a ring of pomegranates, the fruit of spiritual and physical richness of soul and body. The word LOVE, in Hebrew, Ahava, is spelled in the four corners. Verses: “I am my beloved’s and my beloved is mine”, Song of Songs 6:3, “I have found the one whom my soul loves”, Song of Songs, 3:4
Our paper ketubahs (papercut ketubahs included) are printed on cold press, acid free art paper, the standard in artistic reproductions. This paper is slightly textured and can be ordered with or without name printing.
Aqua Silk, Blush, Sky Violet
18" x 18"
Similar Types of Ketubahs
In times of conflict, consider supporting an Israeli artist. This collection features beautiful Ketubah artwork from our Israeli Ketubah artists, exploring a variety of brilliant colors and unique art styles.
Gold & Silver
For centuries, artists and artisans have turned to silver and gold leaf as a way to make their creations shimmer and shine. Evident in everything from ancient artifacts to modern masterpieces, the glistening accents can add an ethereal touch to any work of art. Today, many contemporary artists continue to use silver and gold leaf in their work. These metallics are celebrated for their ability to accentuate color and form through luminous details.
Papercutting has been a traditional Jewish art form for Ketubah decoration since the Middle Ages. Thanks to advances in artisanal laser cutting in the late 20th century, these exquisite pieces of fine art are now within everyone’s budget. Papercut Ketubahs are lovingly produced, one at a time, to archival standards.
About the Artist
Enya Keshet was born in Pardes Hanna, Israel. As a young woman she moved to Jerusalem, where she studied at the Hebrew University and at Bezalel Academy of Art. Her friendship with a traditional scribe (sofer) led her to the idea of combining the art of paper cutting with the calligraphy of Megillot (scrolls). Her artwork has evolved extensively from this beginning. In 1994 she moved back to her hometown of Pardes Hanna, where her studio is today. A significant part of Enya’s work is in the style of the Lisbon manuscript workshop, which flourished at the end of the fifteenth century, a workshop which produced the famous Lisbon Bible and many other illuminated manuscripts currently in the collections of major museums in London, Paris, and New York.
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