Cycles of Life Papercut Luxe – Home Blessing
Art by Enya Keshet
Description
The Tree of all seasons represents the cycle of the years, always repeating, but each year finds you in a new, better place in your life; The deer, as in the Song of Songs, stands for the beloveds, and the general shape of the designh comes from traditional Judaic art , especially 17th Century Italian ketubahs. Top arch verses: “As a lily among the thorns, so is my darling among the maidens. Like an Apple tree among the trees of the forest, so is my beloved among the youth”, Song of Songs 2:2-3. Bottom panel: “I am my Beloved’s and my Beloved is mine”. Song of Songs, 6:3
Info
Color
Beige
Text Language
English & Hebrew, English Only, Hebrew Only
Size
16" x 20"
Frame
Black
This stunning design features metallic gold foil with a papercut overlay featuring Swarovski crystals. This piece comes complete and ready to hang.
Text Details
English Only
Blessing for the Home
Let no sorrow pass through this gate.
Let no trouble enter this abode.
Let alarm never come through this door.
Let this household never be divided.
Let there be blessing and peace in this home.
Hebrew Only
ברכת הבית
.בזה השער לא יבוא צער
.בזאת הדירה לא תבוא צרה
.בזאת הדלת לא תבוא בהלה
.בזאת המחלקה לא תבוא מחלוקות
.בזה המקום תהי ברכה ושלום
Hebrew & English
ברכת הבית
Blessing for the Home
.בזה השער לא יבוא צער
.בזאת הדירה לא תבוא צרה
.בזאת הדלת לא תבוא בהלה
.בזאת המחלקה לא תבוא מחלוקות
.בזה המקום תהי ברכה ושלום
Let no sorrow pass through this gate.
Let no trouble enter this abode.
Let alarm never come through this door.
Let this household never be divided.
Let there be blessing and peace in this home.
About the Artist

Enya Keshet
Enya Keshet was born in Pardes Hanna, Israel. As a young woman she moved to Jerusalem, where she studied at the Hebrew University and at Bezalel Academy of Art. Her friendship with a traditional scribe (sofer) led her to the idea of combining the art of paper cutting with the calligraphy of Megillot (scrolls). Her artwork has evolved extensively from this beginning. In 1994 she moved back to her hometown of Pardes Hanna, where her studio is today. A significant part of Enya’s work is in the style of the Lisbon manuscript workshop, which flourished at the end of the fifteenth century, a workshop which produced the famous Lisbon Bible and many other illuminated manuscripts currently in the collections of major museums in London, Paris, and New York.
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